Aufgang and Brandt Brauer Frick explore “Beyond My Piano” – sort of – in Paris

De Bizet à Ravel en passant par Gershwin, l'orchestre strasbourgeois a encore une fois mis en évidence ses qualités sous la direction de Marko Letonja, malgré un Francesco Tristano un peu léger.

The Rite of Spring provides the centrepiece of Alice Sara Ott and Francesco Tristano's "Scandale" programme, an often fatiguing programme, but thrillingly performed. 

Similarities between Johann Sebastian Bach and John Cage don't exactly leap out at you. Both have an interest in numbers, it's true: Bach's music is obsessively, perhaps mathematically patterned, and Cage proportioned much of his music according to strict ratios and numerical schemes. But even this similarity is very much an abstract one: can you hear it in the pieces? No, not really.

Entre la variedad estilística y las diversas maneras de hacer, la música del violonchelista alemán desplegó un muestrario de posibilidades instrumentales en la intimidad monástica.