Zimerman en récital : l’extase par le rite

Por Constance Clara Guibert, 08 junio 2014

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Crítica hecha desde Salle Pleyel, París el 6 junio 2014

Krystian Zimerman, Piano

L'ombre sans la lumière : Krystian Zimerman à la Fondation Vuitton

Alain Lompech, 20th April

Le pianiste polonais et ses partenaires ont donné une lecture étrange de deux quatuors pour piano et cordes de Brahms, transformés en magnifiques tableaux automnaux mais manquant de lumière.

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Striking Beethoven with Krystian Zimerman in Singapore

Chang Tou Liang, 7th December

Krystian Zimerman, in the dual role of pianist and conductor, has orchestra and audience eating from his hands in Singapore.

****1

Beethoven with a velvet touch: Krystian Zimerman with the LSO

Mark Pullinger, 22nd December

Purity and clarity are hallmarks of Zimerman’s playing and there was an almost aristocratic composure to his phrasing in these splendid performances.

*****

Perfekt und authentisch: Krystian Zimerman und sein Beethovenklang

Michael Klier, 8th October

Während des Klavierkonzerts stand im Amsterdamer Councertgebouw für einen kurzen Moment die Zeit still.

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Auf der Suche nach einem adäquaten Klang: Krystian Zimerman in Berlin

Sebastian Urmoneit, 12th June

Krystian Zimerman zeigt eine gnadenlose Interpretation von Brahms und Chopin.

*****

Krystian Zimerman abolit le temps à la Philharmonie de Paris

Alain Lompech, 7th June

Le premier récital de Krystian Zimerman à la Philharmonie de Paris – Brahms et Chopin – laisse sans voix.

*****

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Constance Clara Guibert

Living in Paris, Constance Clara has studied piano since she was three. A graduate of Toulouse Business School and a student at La Sorbonne in Music Management, she still plays piano, attends orchestral conducting masterclasses, and loves writing. She tweets here and blogs here.