Kronos Quartet at Carnegie’s Zankel Hall

Por Kay Kempin, 02 marzo 2012

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Crítica hecha desde Carnegie Hall: Zankel, Nueva York el 28 febrero 2012

Dennehy, One Hundred Goodbyes (Céad Slán)

Martynov, Schubert-Quintet (Unfinished)

Glass, String Quartet no. 5

Lizée, Death to Kosmische

Hearst, Secret Word

Kronos Quartet

Joan Jeanrenaud, Violonchelo

Kronos Quartet sets a course for the future with a night of new works

Kurt Gottschalk, 21st October

The program, drawn from Kronos’s 50 for the Future commissions, ranged from the exotic to the complex, with students joining in for a Philip Glass string orchestra finale.

****1

An alluring Common Ground

Jaime Robles, 6th October

Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness.

*****

Reich celebrations at the Paris Philharmonie

Leopold Tobisch, 13th November

Five hours of repetitive music on a Sunday evening may be a hellish way for some to end the week; fortunately, I belong in the second category. A concert series named “Steve Reich Unlimited” therefore required no further selling points.

****1

Philip Glass and the Kronos Quartet resurrect Dracula

Leopold Tobisch, 7th July

Philip Glass performs his music to the film Dracula, alongside the Kronos Quartet at the Philharmonie de Paris.

***11

Landfill: Laurie Anderson and the Kronos Quartet

Leopold Tobisch, 26th April

Laurie Anderson takes us on a dizzying journey in her weirdly wonderful Landfall, performed with the Kronos Quartet.

****1

Kronos Quartet premieres in NYC

Jacob Slattery, 7th March

If the Kronos Quartet had their way, every new slice of contemporary music would be a string quartet. In the basement of Carnegie Hall, the Kronos Quartet premiered three new works and one newish work to celebrate the life of Kronos’ dear friend, Larry Neff.

****1

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Kay Kempin

Flying the flag for all things classical, jazz and a bit experimental, Kay is an amateur pianist and musical scribbler. Kay has her Masters in Culture, Policy and Management from City University, London, and currently works as a fundraiser for the performing arts in New York City.