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An alluring Common Ground in Lines Ballet / Kronos Quartet collaboration

Por Jaime Robles, 08 octubre 2018
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“movement, both simple and complex, takes on the shimmer of transcendence”
Crítica hecha desde Yerba Buena Center for the Arts Theater, San Francisco el 6 octubre 2018
Programa
New Work (Alonzo King)
Intérpretes
Alonzo King LINES Ballet
Kronos Quartet
Más críticas de Danza
Turn It Out with Tiler Peck & Friends: bubbling over with passion
Amanda Jennings, 12th March
Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered. 
****1
Stylish and stirring: Turn It Out With Tiler Peck & Friends
Carla Escoda, 16th October
Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.  
****1
Alvin Ailey American Dance Theater: sensational dancing
Carla Escoda, 5th December
An era has come to an end at Alvin Ailey American Dance Theater, its repertory in admirable shape, its dancers even more so. 
****1
Moments and misses in American Ballet Theatre's American Splendor
Erin Bomboy, 8th July
American Ballet Theatre shows its range with pieces from George Balanchine, Alonzo King, and Jessica Lang, but the dancing and choreography remain uneven throughout. 
***11
A diverse and entertaining triple bill from Rambert
Graham Watts, 18th May
Rambert presents an excellent cohort of expressive dancers, but the programme lacked an overall wow factor.
***11
Alonzo King's LINES Ballet goes wild
Jaime Robles, 12th April
A projection of green sky above shadowy mountains hovered behind their duet, and the curved bodies of the other dancers moved, barely visible, in the darkness of downstage.
****1
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Alonzo KingAlonzo King LINES BalletKronos QuartetNew Work
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.