Brenda Rae's remarkable Lucia a compensation in Philadelphia

Por Susan Gould, 26 septiembre 2018

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“Brenda Rae's... reputation for conquest of the role is justified”

Crítica hecha desde Academy of Music, Philadelphia el 21 septiembre 2018

Donizetti, Lucia di Lammermoor

Opera Philadelphia

Corrado Rovaris, Dirección

Laurent Pelly, Dirección de escena, Diseño de vestuario

Chantal Thomas, Diseño de escena

Brenda Rae, Lucia

Troy Cook, Enrico

Michael Spyres, Edgardo

Andrew Owens, Arturo

Adrian Kramer, Normanno

Hannah Ludwig, Alisa

Christian von Horn, Raimondo

Opera Philadelphia Orchestra

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Cameron Kelsall, 4th February

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.

****1

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Cameron Kelsall, 20th December

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

***11

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Cameron Kelsall, 19th September

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time.

***11

The Listeners: daring psychological thriller at Opera Philadelphia

Cameron Kelsall, 25th September

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism.

****1

Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi

Cameron Kelsall, 23rd September

Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.

****1

Quinn Kelsey triumphs in Opera Philadelphia's Simon Boccanegra

Cameron Kelsall, 22nd September

In his role debut as the Genoan Doge, the American baritone continues to burnish his bona fides as the premier Verdi baritone of his generation.

****1

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Susan Gould

Philadelphia native Susan Gould has been writing professionally about classical music since her Barnard College years in New York. She has written for both American and European publications, primarily during fifteen years in Europe, and has done liner notes for recordings and program notes for opera companies and orchestras. Among those she has interviewed have been Sills, Tebaldi, Popp and Fleming; Bumbry, Ludwig, Fassbaender, and von Stade; del Monaco, Kraus and Pavarotti; Prey, Morris and Ramey; Muti, Abbado, Giulini, Sawallisch, and Eschenbach. Fluent in Italian, German and French, she has coached both student and professional singers in foreign-language diction since 1980.