Tears on the picnic lawn: Madama Butterfly at Glyndebourne

Por Mark Pullinger, 20 mayo 2018

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“spitting cobra col legno attacks as Cio-Cio San's suicide is interrupted”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 19 mayo 2018

Puccini, Madama Butterfly

Glyndebourne Festival Opera

Omer Meir Wellber, Dirección

Annilese Miskimmon, Dirección de escena

Nicky Shaw, Diseño de escena, Diseño de vestuario

Olga Busuioc, Cio-Cio-San (Madama Butterfly)

Joshua Guerrero, Pinkerton

Michael Sumuel, Sharpless

Elizabeth DeShong, Suzuki

Carlo Bosi, Goro

Szymon Mechliński, Prince Yamadori

Oleg Budaratskiy, The Bonze

Ida Ränzlöv, Kate Pinkerton

Eirlys Myfanwy Davies, Cio-Cio-san's mother

Jennifer Witton, The cousin

Shuna Scott Sendall, The aunt

Jake Muffett, The Official Registrar

Michael Mofidian, The Imperial Commissioner

Adam Marsden, Yakuside

The Glyndebourne Chorus

London Philharmonic Orchestra

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***11

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Tears on the picnic lawn: Madama Butterfly makes her bow at the Glyndebourne Festival