Tears on the picnic lawn: Madama Butterfly at Glyndebourne

Von Mark Pullinger, 20 Mai 2018

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Veranstaltung anzeigen

“spitting cobra col legno attacks as Cio-Cio San's suicide is interrupted”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 19 Mai 2018

Puccini, Madama Butterfly

Glyndebourne Festival Opera

Omer Meir Wellber, Musikalische Leitung

Annilese Miskimmon, Regie

Nicky Shaw, Bühnenbild, Kostüme

Olga Busuioc, Cio-Cio-San (Madama Butterfly)

Joshua Guerrero, Pinkerton

Michael Sumuel, Sharpless

Elizabeth DeShong, Suzuki

Carlo Bosi, Goro

Szymon Mechliński, Fürst Yamadori

Oleg Budaratskiy, Onkel Bonze

Ida Ränzlöv, Kate Pinkerton

Eirlys Myfanwy Davies, Cio-Cio-san's mother

Jennifer Witton, The cousin

Shuna Scott Sendall, The aunt

Jake Muffett, Standesbeamter

Michael Mofidian, Kaiserlicher Kommissar

Adam Marsden, Yakuside

The Glyndebourne Chorus

London Philharmonic Orchestra

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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

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Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Tears on the picnic lawn: Madama Butterfly makes her bow at the Glyndebourne Festival