An underwhelming Madama Butterfly in Sydney

Sian Sharp (Suzuki) and Sae-Kyung Rim (Cio-Cio-San)

Sae-Kyung Rim (Cio-Cio-San)

Michael Honeyman (Sharpless), Sae-Kyung Rim (Cio-Cio-San) and Jane Ede (Kate Pinkerton)

Michael Honeyman (Sharpless) and Diego Torre (Pinkerton)

Por Zoltán Szabó, 30 junio 2022

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“Sae-Kyung Rim in her OA debut... had complete control over the role technically”

Crítica hecha desde Sydney Opera House: Joan Sutherland Theatre, Sídney el 29 junio 2022

Puccini, Madama Butterfly

Opera Australia

Carlo Montanaro, Dirección

Graeme Murphy, Dirección de escena

Michael Scott-Mitchell, Diseño de escena

Jennifer Irwin, Diseño de vestuario

Damien Cooper, Diseño de iluminación

Opera Australia Orchestra

Opera Australia Chorus

Shane Placentino, Director de reposición

Sean Nieuwenhuis, Digital content

Sae-Kyung Rim, Cio-Cio-San (Madama Butterfly)

Sian Sharp, Suzuki

Diego Torre, Pinkerton

Thomas Strong, Pinkerton

Michael Honeyman, Sharpless

Virgilio Marino, Goro

Kiran Rajasingam, Prince Yamadori

David Parkin, The Bonze

Jane Ede, Kate Pinkerton

Alexander Hargreaves, The Imperial Commissioner

Gregory Brown, The Official Registrar

Opera Australia’s Eugene Onegin shines musically

Sandra Bowdler, 17th March

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

Humperdinck hobbled in Opera Australia revival

Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Watery magic as Nicole Car makes a triumphant return to Sydney

Jeremy Eccles, 19th July

Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.

****1

Danielle de Niese makes Carmen debut in a colourful new Sydney staging

Sandra Bowdler, 10th July

Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.

****1

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

Waiting for the robins to nest again: an underwhelming Madama Butterfly in Sydney