Flute still mesmerizing at The Met

Por Edward Sava-Segal, 13 octubre 2017

Descargando, espere, por favor...

Ver la programación

“Golda Schulz displayed a wonderfully creamy voice as Pamina”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 10 octubre 2017

Mozart, La flauta mágica (Die Zauberflöte)

Metropolitan Opera

James Levine, Dirección

Julie Taymor, Dirección de escena, Diseño de vestuario

George Tsypin, Diseño de escena

Golda Schultz, Pamina

Kathryn Lewek, Queen of the Night

Charles Castronovo, Tamino

Markus Werba, Papageno

Tobias Kehrer, Sarastro

René Pape, Sarastro

Greg Fedderly, Monostatos

Ashley Emerson, Papagena

Christian Van Horn, The Speaker (Der Sprecher)

Wendy Bryn Harmer, First Lady

Sarah Mesko, Second Lady

Tamara Mumford, Third Lady

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Más críticas...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Julie Taymor’s Magic Flute is still mesmerizing at The Met