Manon: Fine start to the new season at Royal Ballet

Por Margaret Willis, 27 septiembre 2014

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“Nuñez’ dancing is as natural to her as breathing and her movements were graceful and fluid”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 26 septiembre 2014

Manon (Sir Kenneth MacMillan)

The Royal Ballet

Martin Yates, Dirección

Nicholas Georgiadis, Diseño de escena

Orchestra of the Royal Opera House Covent Garden

Federico Bonelli, Bailarín

Marianela Núñez, Bailarín

Ricardo Cervera, Bailarín

Laura Morera, Bailarín

Christopher Saunders, Bailarín

Gary Avis, Bailarín

The Royal Ballet’s Mayerling: violent, feral, tortured dance

Graham Watts, 30th March

In this latest revival of Kenneth MacMillan’s Mayerling, The Royal Ballet presents a roster of powerful and vivid interpretations across the board.

****1

National Ballet of Japan's revival of Manon was devastatingly good

Naomi Mori, 19th March

National Ballet of Japan in Kenneth MacMillan’s Manon has been revived six years after its performances were cancelled because of the pandemic. Exceptionally good interpretations led the opening night performance.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

ENB’s The Sleeping Beauty: disappointing cuts skew the story

Jonathan Gray, 27th November

English National Ballet's revival of the Tchaikovsky classic The Sleeping Beauty, disappoints at the Mayflower Theatre in Southampton.

***11

Ballet Nights makes an impressive and unforgettable Scottish debut

Kathy Elgin, 4th July

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

****1

Ballet Nights – Spring Into Summer a fascinating hotchpotch of dance

Graham Watts, 5th June

Ballet Nights 008 – Spring into Summer proved to be a judicious choice of quality and diverse repertoire.

****1

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Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.

Opening the season at Royal Ballet: Manon