Manon: Fine start to the new season at Royal Ballet

Von Margaret Willis, 27 September 2014

Laden, bitte warten...

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“Nuñez’ dancing is as natural to her as breathing and her movements were graceful and fluid”

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 26 September 2014

Manon (Sir Kenneth MacMillan)

The Royal Ballet

Martin Yates, Musikalische Leitung

Nicholas Georgiadis, Bühnenbild

Covent Garden Orchester des Royal Opera House

Federico Bonelli, Tanz

Marianela Núñez, Tanz

Ricardo Cervera, Tanz

Laura Morera, Tanz

Christopher Saunders, Tanz

Gary Avis, Tanz

Remember Me in memoriam John Cranko: ein Abend am Stuttgarter Ballett

Rainer Zerbst, 30th October

Eine würdige Premiere zur Erinnerung an den großen Cranko. Die bewundernswerte Elisa Badenes prägt den Abend.

*****

Zwischen Liebespsychose und Historienspiel: MacMillans Mayerling

Rainer Zerbst, 18th May

Kenneth Macmillan zeigt in Mayerling eine grandiose Charakterstudie mit einem Wechselbad der Gefühle.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

ENB’s The Sleeping Beauty: disappointing cuts skew the story

Jonathan Gray, 27th November

English National Ballet's revival of the Tchaikovsky classic The Sleeping Beauty, disappoints at the Mayflower Theatre in Southampton.

***11

Ballet Nights makes an impressive and unforgettable Scottish debut

Kathy Elgin, 4th July

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

****1

Ballet Nights – Spring Into Summer a fascinating hotchpotch of dance

Graham Watts, 5th June

Ballet Nights 008 – Spring into Summer proved to be a judicious choice of quality and diverse repertoire.

****1

Weitere Kritiken...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.

Opening the season at Royal Ballet: Manon