Stodgy staging mars rare Met Meistersinger revival

Por Cameron Kelsall, 27 octubre 2021

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“Michael Volle proved an ideal Hans Sachs... bridging the gap between tradition and modernity”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 26 octubre 2021

Wagner, Die Meistersinger von Nürnberg

Metropolitan Opera

Sir Antonio Pappano, Dirección

Otto Schenk, Dirección de escena

Günther Schneider-Siemssen, Diseño de escena

Rolf Langenfass, Diseño de vestuario

Gil Wechsler, Diseño de iluminación

Lise Davidsen, Eva

Klaus Florian Vogt, Walther von Stolzing

Johannes Martin Kränzle, Sixtus Beckmesser

Michael Volle, Hans Sachs

Georg Zeppenfeld, Veit Pogner

Claudia Mahnke, Magdalena

Paul Appleby, David

Martin Gantner, Fritz Kothner

Alexander Tsymbalyuk, Nightwatchman

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Stodgy staging mars rare Met revival of Die Meistersinger von Nürnberg