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BudapestSir Antonio Pappano & the London Symphony Orchestra

Shostakovich, Prokofiev, Beethoven
London Symphony Orchestra; Sir Antonio Pappano; Seong-Jin Cho
HamburgLondon Symphony Orchestra
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Shostakovich, Prokofiev, Beethoven
London Symphony Orchestra; Sir Antonio Pappano; Seong-Jin Cho
HamburgLondon Symphony Orchestra
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Britten, Copland
London Symphony Orchestra; Sir Antonio Pappano; Janine Jansen
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Galloping demons: Pappano and the LSO in Shostakovich 10
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Sir Antonio Pappano the charioteer whips his forces to attack the fleeing Shostakovich in the Tenth Symphony at the Barbican.
Victory Symphonies? Pappano and the LSO in Leningrad and Vienna
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Prokofiev opens Seong-Jin Cho’s LSO Artist Portrait series, sandwiches between symphonies by Shostakovich and Beethoven.
Pappano launches the new LSO season with a gripping pair of works
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To launch his second season with the LSO, Sir Antonio Pappano parades his American inheritance with a blazing evocation of faith, hope and resilience.
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LondonLSO on Stage: Sibelius' The Oceanides

Sibelius: The Oceanides symphonic poem for orchestra, (Aallottaret) Op.73
London Symphony Orchestra; Sir Antonio Pappano
RomeSanta Cecilia: Sciarrino and Bach

Sciarrino, Bach
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Barbara Hannigan; Amanda Forbes; Josè Maria Lo Monaco; Paolo Fanale
RomeFidelio (concert performance)
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Beethoven: Fidelio
Sir Antonio Pappano; Rachel Willis-Sørensen; Simon O'Neill; Sebastian Holecek; Günther Groissböck
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The ultimate gig economy: freelance life in the orchestra pit
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Buffetted from symphonies, opera and ballet to West End musicals, film scoring sessions, and maybe even Glastonbury, the life of the freelance musician can be as chaotic as it is thrilling.
Maximum drama: BBC Proms 2024
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The second half of this year’s Proms season heats up with visits from the Czech Philharmonic, Berlin Philharmonic, Orchestre de Paris and Bavarian Radio Symphony Orchestra – along with operas by Bizet and Britten.
A knight at the opera: Sir Antonio Pappano bows out
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As he prepares to leave Covent Garden, Antonio Pappano reflects on his time at the helm of The Royal Opera and the Santa Cecilia, the state of the opera industry and on “reinventing himself” at the LSO.