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Sir Antonio Pappano, Conductor

Sir Antonio Pappano © Musacchio & Ianniello | EMI Classics
Sir Antonio Pappano
© Musacchio & Ianniello | EMI Classics
September 2018
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Evening performance
Matinee performance
our interview with the maestro

A sense of theatre: Sir Antonio Pappano

Sir Antonio Pappano conducting Fidelio in Rome © Riccardo Musacchio & Flavio Ianniello
Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.
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LondonIan Bostridge and Sir Antonio Pappano: Requiem

Mahler, Stephan, Butterworth, Weill, Britten
Ian Bostridge; Sir Antonio Pappano

BirminghamOrchestra of the Royal Opera House

Rachmaninov, Tchaikovsky
Orchestra of the Royal Opera House Covent Garden; Sir Antonio Pappano; Anita Rachvelishvili

LondonPuccini Mass

Ponchielli, Verdi, Puccini
London Symphony Orchestra; Sir Antonio Pappano; London Symphony Chorus; Simon Halsey

AmsterdamRoyal Concertgebouw Orchestra: Berlioz' Requiem

© Musacchio Ianniello
Berlioz: Requiem "Grande Messe des morts", Op.5
Royal Concertgebouw Orchestra; Sir Antonio Pappano; Javier Camarena; Netherlands Radio Choir (Groot Omroepkoor); Coro dell'Accademia Nazionale di Santa Cecilia

LondonOrchestra of Santa Cecilia / Sir Antonio Pappano

Mahler: Symphony no. 6 in A minor "Tragic"
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano
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Saluti da Roma as Pappano conducts Bernstein and Mahler

Sir Antonio Pappano conducts the Orchestra dell'Accademia Nazionale di Santa Cecilia © BBC | Chris Christodoulou
Sir Antonio Pappano and his Santa Cecilia Orchestra display their collective strengths in first symphonies by Bernstein and Mahler.
****1
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Pappano conducts Britten's War Requiem in Berlin

Ian Bostridge © Sim Canetty-Clarke
Britten's War Requiem at the Staatsoper Unter den Linden with Antonio Pappano conducting
****1
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No muddle, just music: ROH Lady Macbeth of Mtsensk

Brandon Jovanovich (Sergey), Eva-Maria Westbroek (Katerina) © ROH | Clive Barda
The Royal Opera Orchestra produce a revelatory reading of Shostakovich’s eclectic score; a fine performance from Eva-Maria Westbroek and excellent acting from the whole cast light up the drama and farce.
****1
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Masterfully villainous: Netrebko and Lučić in Macbeth

Željko Lučić (Macbeth) and Anna Netrebko (Lady Macbeth) © ROH | Bill Cooper
The Royal Opera's revival of Phyllida Lloyd's production is marked by two outstanding Verdian singers and a superb rendering of the score from Pappano and the ROH Orchestra.
****1
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Heavenly Strauss from Damrau

Diana Damrau © Rebecca Fay
With Damrau, one hears every word and her account of Strauss' Four Last Songs was memorable. 
***11
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