A staged Messiah that sheds little light on Handel's oratorio

Por Mark Valencia, 02 junio 2017

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“So at least we know where we’re starting from. It’s where we end up that’s the puzzle.”

Crítica hecha desde Den Nationale Scene, Bergen el 1 junio 2017

Handel, El Mesías

Bergen National Opera

Bjarte Eike, Dirección

Netia Jones, Dirección de escena, Diseño de escena

Malin Christensson, Soprano

Renata Pokupić, Mezzosoprano

Pierre Derhet, Tenor

Igor Bakan, Bajo

Barokksolistene

Edvard Grieg Choir

Cathedra

Michael McCarthy, Dirección de coro

Bergen Philharmonic Orchestra

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Christopher Woodley, 29th March

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

***11

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Mark Valencia, 15th March

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

****1

The Flying Dutchman sails into Bergen

Dominic Lowe, 10th March

Bergen National Opera’s new production allows the story to speak to itself, while strong performances from Eric Halfvarson and Elisabeth Teige gave the performance its edge.

****1

A stellar Peter Grimes in Bergen

Mark Valencia, 30th May

This Peter Grimes was a tale of two talents: the conductor and the star.

*****

Il turco in Italia puts ashore in Bergen

David Karlin, 25th March

Mark Lamos' staging is a riot of colour and movement; George Souglides gives us a masterclass in costumery; fine Italian singing illuminates this Norwegian première for Rossini's madcap Il turco in Italia.

****1

Irish National Opera’s new Rusalka intrigues more than it convinces

Andrew Larkin, 22nd March

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale.

***11

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.