A staged Messiah that sheds little light on Handel's oratorio

Par Mark Valencia, 02 juin 2017

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“So at least we know where we’re starting from. It’s where we end up that’s the puzzle.”

Critique faite à Den Nationale Scene, Bergen, le 1 juin 2017

Haendel, Le Messie

Bergen National Opera

Bjarte Eike, Direction

Netia Jones, Mise en scène, Décors

Malin Christensson, Soprano

Renata Pokupić, Mezzo-soprano

Pierre Derhet, Ténor

Igor Bakan, Basse

Barokksolistene

Edvard Grieg Choir

Cathedra

Michael McCarthy, Chef de chœur

Bergen Philharmonic Orchestra

Echo of a silent scream: Asle and Alida premieres in Bergen

Christopher Woodley, 29th March

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

***11

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Mark Valencia, 15th March

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

****1

The Flying Dutchman sails into Bergen

Dominic Lowe, 10th March

Bergen National Opera’s new production allows the story to speak to itself, while strong performances from Eric Halfvarson and Elisabeth Teige gave the performance its edge.

****1

A stellar Peter Grimes in Bergen

Mark Valencia, 30th May

This Peter Grimes was a tale of two talents: the conductor and the star.

*****

Il turco in Italia puts ashore in Bergen

David Karlin, 25th March

Mark Lamos' staging is a riot of colour and movement; George Souglides gives us a masterclass in costumery; fine Italian singing illuminates this Norwegian première for Rossini's madcap Il turco in Italia.

****1

Antigone de Pascal Dusapin, entre loi des hommes et voix des dieux

Chloë Rouge, 7th October

L'« operatorio » de Dusapin remporte un beau succès, grâce à la science orchestrale du compositeur, l'incarnation d'une belle distribution et une mise en scène efficace en noir et blanc.

****1

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.