Chicago and Muti keep it safe at Disney Hall

Por Néstor Castiglione, 23 octubre 2017

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“mellowed bronze, rather than gleaming steel”

Crítica hecha desde Walt Disney Concert Hall, Los Angeles el 22 octubre 2017

Brahms, Sinfonía núm. 3 en fa mayor, Op.90

Brahms, Sinfonía núm. 2 en re mayor, Op.73

Schubert, Rosamunde, D.797: Entr'acte no. 3 in B flat major

Riccardo Muti, Dirección

Chicago Symphony Orchestra

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

Klaus Mäkelä is speaking... Chicago is listening

Graham Meyer, 19th February

The Chicago Symphony Orchestra's Music Director Designate juxtaposes his Finnish countryman's music on their shared national epic, the Kalevala, with the heroic life limned in the tone poem of Richard Strauss.

****1

Matthew Aucoin’s Song of the Reappeared premieres in Chicago

Graham Meyer, 4th December

A strong world premiere of Aucoin's evocative and immediate Song of the Reappeared, a concerto for voice written for soprano Julia Bullock which sets vivid imagery by a poet who suffered under authoritarianism.

*****

Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago

Graham Meyer, 20th November

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral.

****1

Daniela Candillari makes her Chicago Symphony Orchestra debut

Graham Meyer, 3rd October

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi.

****1

Polished Ravel x 2 from Alice Sara Ott with the Chicago Symphony

Graham Meyer, 25th September

Three hands for two concertos: Alice Sara Ott joins the Chicago Symphony Orchestra for Ravel's Piano Concerto for the left hand and the Piano Concerto in G major.

****1

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Néstor Castiglione

Néstor Castiglione is a freelance music critic, program note annotator, translator, and lecturer born and raised in Los Angeles. Aside from classical music, he also writes and lectures on the culture and popular music of early Shōwa Japan (1925 – 1945). His website is Echorrhea and you can also follow him on Instagram @echorrhea.

Chicago and Muti keep it safe, delivering potent Brahms at Disney Hall