Young musicians at Tanglewood signal a bright future for music-making

Christine Goerke, Andris Nelsons and the Tanglewood Music Center Orchestra

Andris Nelsons conducts the Tanglewood Music Center Orchestra

Por Edward Sava-Segal, 25 julio 2022

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Crítica hecha desde Tanglewood, Koussevitzky Music Shed, Lenox el 23 julio 2022

Berlioz, La Mort de Cléopâtre

Mahler, Sinfonía núm. 5 en do sostenido menor

Christine Goerke, Soprano

Tanglewood Music Center Orchestra

Andris Nelsons, Dirección

Stormy weather: a wild ride with Berlioz and Yuja Wang at Tanglewood

Kevin Wells, 20th July

Yuja Wang’s verve and panache, combined with the Tanglewood Music Center Orchestra’s fearless, youthful energy, forge an incandescent, explosive performance.

****1

Tanglewood fellows impress in Strauss, Beethoven and Ives

Cameron Kelsall, 21st July

Andris Nelsons and Emanuel Ax find inspiration working with their young colleagues on an idyllic Sunday in the Berkshires.

****1

A stirring Beethoven 9 from Tanglewood young musicians

Edward Sava-Segal, 20th August

The summer festival closes with the Tanglewood Music Center Orchestra playing Tippett and Beethoven.

****1

A confidence-building exercise: the Tanglewood fellows in Die Walküre

Edward Sava-Segal, 28th July

Andris Nelsons finishes his 2019 Tanglewood residency on a high note.

****1

A rewarding bond with Brahms at Tanglewood

Edward Sava-Segal, 31st July

Andris Nelsons conducted pianist Paul Lewis and the fellows of the Tanglewood Music Center in an All-Brahms Sunday afternoon

***11

Andris Nelsons takes Mahlerian command at Tanglewood

Erica Miner, 8th August

Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.

*****

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.