A mixed Missa Solemnis at the Festival Hall

Por Helen Fraser, 06 noviembre 2011

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Royal Festival Hall, Londres el 4 noviembre 2011

Beethoven, Missa solemnis en re mayor, Op.123

Orchestra of the Age of Enlightenment

Gianandrea Noseda, Dirección

Anne Ellersiek, Soprano

Michaela Wehrum-Gandenberger, Mezzosoprano

Mark Alder, Tenor

Uwe Schenker-Primus, Barítono

Patrick Schramm, Bajo

Matthew Truscott, Leader, Violín

Lisa Beznosiuk, Flauta

Philharmonia Chorus

Stefan Bevier, Dirección de coro

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

****1

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

****1

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Brandstrup Breaking Bach with the OAE at EIF

Kathy Elgin, 20th August

Kim Brandstrup choreographs Bach favourites based on hip hop and street dance. Lie back on the bean bags at Usher Hall and enjoy...

****1

Más críticas...

Helen Fraser

Helen is an oboist at the Royal College of Music. She is delighted to be based in London and so able to take advantage of the wide variety of concerts the city provides. She also loves to teach and is keen to use this and every other opportunity to interest new people in classical music.