Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

Ave Maya: International stars perform in memory of Plisetskaya

Por Margaret Willis, 08 marzo 2016
Descargando, espere, por favor...
Ver la programación
“brings together many super-talented dancers ... who each paid their own tribute to the artist”
Crítica hecha desde The London Coliseum, Londres el 6 marzo 2016
Programa
Giselle (Act II pas de deux) (Jean Coralli, Jules Perrot)
Romeo and Juliet: pas de deux (Balcony pas de deux) (Michael Smuin)
La bella durmiente (Pas de deux) (Marius Petipa, Alexei Ratmansky)
Le Corsaire (Pas de deux) (Anna-Marie Holmes, Marius Petipa, Konstantin Sergeyev)
El sombrero de tres picos (Leonide Massine)
The Bright Stream (Alexei Ratmansky)
Swan Lake: Pas de Deux (Act III Pas de Deux )
Spartacus
Carmen Suite (Alberto Alonso)
Boléro (Maurice Béjart)
Intérpretes
Dancers of the Bolshoi Ballet
English National Ballet Philharmonic
Dancers of the Mariinsky Ballet
Dancers of the Royal Ballet
Dancers of the English National Ballet
Dancers of the Ballet de l'Opéra de Paris
Dancers of the Staatsballett Berlin
Dancers of the New York City Ballet
Dancers of Les Ballets de Monte-Carlo
Más críticas de Danza
Virtuosity in the Cuban Giselle
Cristina de Lucas, 10th May
Anette Delgado and the Ballet Nacional de Cuba’s corps de ballet boost Giselle in Madrid.
***11
A new Albrecht makes a polished Giselle shine even brighter
Deborah Weiss, 7th March
A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé. 
****1
The RB: Peter Wright’s Giselle is as near perfection as you can get
Amanda Jennings, 14th February
Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.
*****
A Valentine’s Day Giselle in Atlanta: Romantic excellence
Rebecca Ehrhardt, 14th February
A lovely production of Giselle by the increasingly good and ever-growing Atlanta Ballet.
****1
La magie universelle de Giselle au Palais Garnier
Jade Larine, 6th October
La représentation du lundi 6 octobre, dédiée à Patrice Bart décédé quelques heures plus tôt, restera dans les mémoires des spectateurs présents ce soir-là, Sae Eun Park remportant un triomphe dans le rôle-titre.
****1
National Ballet of Japan’s Giselle: a triumphant London debut
Graham Watts, 24th July
National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.
*****
Más críticas...
Leer críticas de
Adolphe AdamAlberto AlonsoAlexei RatmanskyAnna-Marie HolmesAram Ilyich KhachaturianBoléroCarmen SuiteDancers of the English National BalletDancers of the Mariinsky BalletDancers of the New York City BalletDancers of the Royal BalletDmitri ShostakovichEl sombrero de tres picosEnglish National Ballet PhilharmonicGeorges BizetGiselleJean CoralliJules PerrotKonstantin SergeyevLa bella durmienteLe CorsaireLeonide MassineManuel de FallaMarius PetipaMaurice BéjartMaurice RavelMichael SmuinPiotr Ilich ChaikovskiïRomeo and Juliet: pas de deuxSergey ProkofievSpartacusSwan Lake: Pas de DeuxThe Bright Stream
Artículos relacionados
Loading image...
Anarquía y utopía: Calixto Bieito habla sobre Khovanshchina de Mussorgsky
Loading image...
Seguir los pasos de Petipa: Tamara Rojo habla sobre la creación de una nueva Raymonda
Loading image...
La comedia muy en serio, obsesión por la música y siempre al servicio del trabajo: Laurent Pelly
Loading image...
Por qué La Valse de Ravel es la obra más interpretada del mundo
Margaret Willis
Margaret Willis
Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.