The lights are out in Allemonde: Pelléas at the Met

Por Robert Levine, 17 enero 2019

Descargando, espere, por favor...

Ver la programación

“Whenever a character or situation called for light... the score shimmered and turned translucent”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 15 enero 2019

Debussy, Pelléas et Mélisande

Metropolitan Opera

Yannick Nézet-Séguin, Dirección

Sir Jonathan Miller, Dirección de escena

John Conklin, Diseño de escena

Clare Mitchell, Diseño de vestuario

Isabel Leonard, Mélisande

Paul Appleby, Pelléas

Kyle Ketelsen, Golaud

Ferruccio Furlanetto, Arkel

Marie-Nicole Lemieux, Geneviève

A. Jesse Schopflocher, Yniold

The Metropolitan Opera Orchestra

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Más críticas...

Robert Levine

Robert T. Levine is a New York born-and-bred music writer with a particular interest in music for the voice. His work has appeared in many periodicals and newspapers. He is the author of many books, including The Story of the Orchestra, four volumes in the Black Dog & Leventhal Opera Library, and, most recently, Maria Callas: A Musical Biography.

The lights are out in Allemonde: Miller's dull staging of Pelléas et Mélisande returns