Outstanding performances in brothel-based Baden-Baden Pique Dame

Por Ako Imamura, 13 abril 2022

Descargando, espere, por favor...

Ver la programación

“Stikhina expressed the heroine’s conflicted loyalties with superb control... a triumph”

Crítica hecha desde Festspielhaus, Baden-Baden el 12 abril 2022

Chaikovskiï, La dama de picas

Kirill Petrenko, Dirección

Moshe Leiser, Dirección de escena

Christian Fenouillat, Diseño de escena

Agostino Cavalca, Diseño de vestuario

Christophe Forey, Diseño de iluminación

Berliner Philharmoniker

Slovak Philharmonic Choir

Patrice Caurier, Dirección de escena

Etienne Guiol, Videoarte

Arsen Soghomonyan, Herman

Elena Stikhina, Lisa, Prilepa

Doris Soffel, The Countess

Aigul Akhmetshina, Polina, Masha, Milovzor

Vladislav Sulimsky, Tomsky, Zlatogor

Boris Pinkhasovich, Yeletsky

Margarita Nekrasova, The Governess

Evgeny Akimov, Chekalinsky

Anatoli Sivko, Surin

Mark Kurmanbayev, Narumov

Christophe Poncet de Solages, Chaplitsky

Beate Vollack, Coreografía

Sonya Yoncheva y Paolo Bortolameolli triunfan en el Liceu

Maria Sánchez, 9th December

Por cuarta vez, la producción de Moshe Leiser y Patrice Caurier vuelve a llenar el patio de butacas del Liceu, ante un estreno de protagonismo tradicionalista.

****1

María Teresa Leva debuta con éxito como Cio-Cio-San

Miquel Martínez, 13th January

Madama Butterfly se presenta en Gran Teatre del Liceu en la producción de Leiser y Caurier en una velada con cambios en el reparto que Jorge de León y María Teresa Leva resolvieron por todo lo alto.

***11

L’equivoco stravagante returns to the Rossini Opera Festival

Laura Servidei, 8th August

Rossini’s ill-fated farce finds new life in the intelligent and enjoyable 2019 production by Leiser and Caurier at the Rossini Opera Festival, featuring a great cast under the unwavering baton of Michele Spotti.

****1

A very human drama: Madama Butterfly at The Royal Opera

David Karlin, 14th March

With the help of excellent singing and acting performances from a cast led by Asmik Grigorian and Joshua Guerrero, Puccini’s tale of abandonment hits home.

****1

Unfaltering opera buffa: The Barber of Seville at the ROH

David Karlin, 2nd February

Two outstanding performances by young singers light up a splendidly crafted revival of Caurier and Leiser's colourful production.

*****

Maria Agresta captivates in latest ROH revival of Madama Butterfly

David Truslove, 12th September

A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.

***11

Más críticas...

Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Outstanding performances in brothel-based Pique Dame at Baden-Baden Easter Festival