Antonacci triumphs in La Voix humaine

Por Ilana Walder-Biesanz, 14 marzo 2017

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“Antonacci let us in psychologically”

Crítica hecha desde Taube Atrium Theater, San Francisco el 14 marzo 2017

Berlioz, La Mort d'Ophélie, H92

Debussy, Chansons de Bilitis

Poulenc, La Fraîcheur et le feu, FP 147

Poulenc, La Voix humaine

San Francisco Opera

Anna Caterina Antonacci, Elle

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Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

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Lois Silverstein, 14th September

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Mark Pullinger, 18th September

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

***11

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Edward Sava-Segal, 22nd June

Both vocally and instrumentally the performance was a high-class one

****1

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Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

Heggie creates a new holiday tradition for the opera world

Donna Stoering, 20th November

A wonderfully realized production at San Francisco Opera of Jake Heggie's operatic version of a holiday classic.

*****

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Ilana Walder-Biesanz

Ilana Walder-Biesanz is a product manager for Yahoo, a theatre and opera critic, and a classically trained mezzo-soprano. She explored theater and opera stagings as a Gates Scholar at Cambridge and as a Fulbright Scholar in Germany. She currently writes for Bachtrack, San Francisco Classical Voice, and Stark Insider. Twitter: @ilana_wb.

Anna Caterina Antonacci triumphs in La Voix humaine at SF Opera Lab