Prom 14: Haydn's Creation, fresh as a fragrant bouquet

Por Stephen Pritchard, 30 julio 2019

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“tangy, vibrato-less strings and crisper, harder-edged woodwind”

Crítica hecha desde Royal Albert Hall, Londres el 29 julio 2019

Haydn, The Creation (sung in German)

Sarah-Jane Brandon, Soprano

Benjamin Hulett, Tenor

Christoph Pohl, Barítono

BBC Proms Youth Choir

BBC Philharmonic Orchestra

Omer Meir Wellber, Dirección

Triunfal comienzo del Festival Internacional de Música de Canarias

Francisco Martínez Ramos, 13th January

Gran comienzo del 39 Festival Internacional de Música de Canarias, que contó con la Filarmónica de la BBC bajo la dirección de Juanjo Mena y con la violinista Clara-Jumi Kang como solista.

*****

Mena y la BBC Phil inauguran el Festival de Santander

Ramón del Buey Cañas, 5th August

Con el empaste orgánico y la complicidad construida concierto a concierto desde 2011, el tándem BBC-Mena vibró, bailó y estremeció. El torrente sonoro cuidó hasta el menor recoveco de pentagrama, cuajando el mejor de los augurios para lo que resta de festival.

****1

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.