Behind closed doors: Poetic Bluebeard's Castle

Por Kevin W Ng, 04 agosto 2016

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“harps conveying the sinister serenity of the lake of tears”

Crítica hecha desde Royal Albert Hall, Londres el 3 agosto 2016

Dvořák, Concierto para violonchelo en si menor, op. 104

Bartók, El castillo de Barbazul

Alban Gerhardt, Violonchelo

Ildikó Komlósi, Judith

John Relyea, Duke Bluebeard

Royal Philharmonic Orchestra

Charles Dutoit, Dirección

Calurosa acogida para un cielo de invierno: Petrenko y la RPO

Jorge Baeza Stanicic, 29th October

Vasliy Petrenko condujo con magnífico pulso y un calibrado dinamismo un programa unido por la procedencia de los compositores.

****1

Segundo encuentro con la Royal Philharmonic en Madrid

Jorge Baeza Stanicic, 20th April

La Royal Philharmonic Orchestra, en su segunda velada en Madrid, y con Vasiliy Petrenko al frente, dio lo mejor de sí en la interpretación de la grandiosa Sinfonía Manfredo de Chaikovski.

***11

La Royal Philharmonic Orchestra con Petrenko y Yoo

Jorge Baeza Stanicic, 19th April

Vasily Petrenko dirige la RPO en un concierto que no salió de la corrección y en el que se contó con la violinista Esther Yoo.

***11

Turangalîla underwhelms at the Southbank’s Multitudes festival

Roy Westbrook, 23rd April

Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.

**111

Edusei’s Beethoven and Rangwanasha’s Strauss thrill at Cadogan Hall

Christopher Woodley, 26th February

Kevin John Edusei, Masabane Cecilia Rangwanasha and the Royal Philharmonic Orchestra celebrate the joys of a life well-lived – rounded off to the sounds of larks ascending.

****1

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

****1

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.

Prom 25: Behind closed doors: Poetic drama from Dutoit in Bluebeard's Castle