Haitink shows classical restraint in Mozart and Schumann

Por Alexander Hall, 17 julio 2017

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“Like an angel’s voice whispering in the ear”

Crítica hecha desde Royal Albert Hall, Londres el 16 julio 2017

Mozart, Sinfonía núm. 38 en re mayor, "Praga", K504

Mozart, Concierto para violín núm. 3 en sol mayor, "Estrasburgo", K216

Schumann, Sinfonía núm. 2 en do mayor, Op.61

Mendelssohn, El sueño de una noche de verano, Op.61: Scherzo

Isabelle Faust, Violín

Chamber Orchestra of Europe

Bernard Haitink, Dirección

María Dueñas brilla en la Sinfonía española de Lalo en Zaragoza

David Santana Cañas, 14th November

María Dueñas y la Chamber Orchestra of Europe encandilan al público de Zaragoza con la gracia y la sensualidad de la Sinfonía española de Édouard Lalo.

****1

Santander disfruta la narrativa sinfónica de Harding y la COE

Pablo Sánchez Quinteiro, 7th August

El Festival de Santander recibe a la Chamber Orchestra of Europe y a Daniel Harding, con un programa de intensidad narrativa que dio como resultado una velada musical magnífica.

*****

Chamber Orchestra of Europe brings all-Brahms evening to Philadelphia

Cameron Kelsall, 10th December

Conducted by honorary member Yannick Nézet-Séguin, the COE’s all-Brahms concert features the composer's First Symphony and final major work, the Double Concerto for Violin and Cello.

****1

Brahms par Nézet-Séguin et le Chamber Orchestra of Europe à Paris

Tristan Labouret, 6th December

Au sommet de leur art, le Chamber Orchestra of Europe et le chef québécois ont livré un concert 100% Brahms d'une grande beauté et d'une richesse dramatique rare.

*****

L'humanité de Sunwook Kim et du COE à la Halle aux grains

Thibault d'Hauthuille, 26th March

Dans un concert peu commun qui réunissait les trois derniers concertos pour piano de Beethoven, le pianiste et chef coréen et le COE ont révélé une symbiose rare.

*****

Beauty from Iestyn Davies, energy from Robin Ticciati in Gstaad

David Karlin, 2nd February

Iestyn Davies shows how to make every word count in a fairly standard sampler of Baroque arias; Ticciati is a fireball on the podium with the Chamber Orchestra of Europe.

***11

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Prom 3: Haitink shows classical restraint in Mozart and Schumann