Prom 4: Mark Simpson impresses in Lindberg's Clarinet Concerto

Por Aaron Davies, 17 julio 2018

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“the Paganini of the Clarinet”

Crítica hecha desde Royal Albert Hall, Londres el 16 julio 2018

Lindberg, Clarinet Concerto

Nunn, Eid Milaad Saeed

Shostakovich, Sinfonía núm. 7 en do mayor, "Leningrado" op. 60

Mark Simpson, Clarinete

BBC Philharmonic Orchestra

Juanjo Mena, Dirección

Triunfal comienzo del Festival Internacional de Música de Canarias

Francisco Martínez Ramos, 13th January

Gran comienzo del 39 Festival Internacional de Música de Canarias, que contó con la Filarmónica de la BBC bajo la dirección de Juanjo Mena y con la violinista Clara-Jumi Kang como solista.

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Mena y la BBC Phil inauguran el Festival de Santander

Ramón del Buey Cañas, 5th August

Con el empaste orgánico y la complicidad construida concierto a concierto desde 2011, el tándem BBC-Mena vibró, bailó y estremeció. El torrente sonoro cuidó hasta el menor recoveco de pentagrama, cuajando el mejor de los augurios para lo que resta de festival.

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Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

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Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

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BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

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Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

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Aaron Davies

A lifelong aficionado of classical music in all its various guises, Aaron spent his formative years studying musical composition whilst playing a number of instruments. Today, his day job involves running an international technology business. He derives particular pleasure from expanding his “virtual” music library via the use of online streaming services. If pressed to compile a desert island disc, he would most likely select works from the catalogues of Beethoven, Schumann, Rachmaninov and Gershwin.