Echoes of Youth: the Belcea and Ébène Quartets at Carnegie Hall

Quatuor Ébene and the Belcea Quartet

Por Edward Sava-Segal, 16 noviembre 2024

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“the opening movement, despite its apparent ebullience, contained many dark corners”

Crítica hecha desde Carnegie Hall: Zankel, Nueva York el 14 noviembre 2024

Mendelssohn, Octeto de cuerdas en mi bemol mayor, Op.20

Enescu, String Octet in C major, Op.7

Belcea Quartet

Corina Belcea, Violín

Suyeon Kang, Violín

Krzysztof Chorzelski, Viola

Antoine Lederlin, Violonchelo

Quatuor Ébène

Pierre Colombet, Violín

Gabriel Le Magadure, Violín

Marie Chilemme, Viola

Yuya Okamoto, Violonchelo

Cuarteto Belcea y Avdeeva decantan a Mendelssohn, Britten y Weinberg

Leonardo Mattana Ereño, 24th February

Muy notable resultado donde la vitalidad nunca se encuentra desbocada sino estructurada a partir de la búsqueda de un sonido siempre cuidado.

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Les Quatuors Ébène et Belcea au Panthéon de la Biennale

Tristan Labouret, 10th January

Stars du week-end d'ouverture de la Biennale de quatuors à cordes de la Philharmonie de Paris, les deux formations se sont illustrées séparément et ensemble dans deux concerts qui resteront dans l'histoire de la manifestation.

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A constellation of quartets end the East Neuk Festival

Simon Thompson, 29th June

Sixteen of the finest string players around join forces on one stage to end the East Neuk Festival in a grand finale.

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Eine Hommage an Laura Samuel: das Belcea Quartet im Pierre Boulez Saal

Sebastian Urmoneit, 10th December

Mit Schönberg und Beethoven im Pierre Boulez Saal gedenkt das Quartett ihrem Gründungsmitglied.

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A game of numbers: Belcea Quartet and Quatuor Ébène play octets

Alexander Hall, 28th May

Sometimes you just marvel at the level of musical inspiration and the virtuosic quality of the playing. The two octets by Mendelssohn and Enescu make a very satisfying pairing.

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Les sextuors contrastés du Quatuor Belcea et ses invités à Anvers

Patrice Lieberman, 11th May

Après un Premier Sextuor op. 18 de Brahms assez déroutant car comme interprété avec le frein à main, le Deuxième Sextuor op. 36 a donné lieu à un jeu généreux et convaincant.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Echoes of Youth: Octets from the Belcea and Ébène Quartets at Carnegie Hall