Bachtrack logo

Young singers on stage in Oslo: the Queen Sonja Singing Competition final

Her Majesty Queen Sonja of Norway and Jasmin White
© Per Ole Hagen
Jasmin White
© Per Ole Hagen
Aksel Daveyan
© Per Ole Hagen
Lise Davidsen
© Per Ole Hagen
Her Majesty Queen Sonja with the finalists
© Per Ole Hagen
Descargando, espere, por favor...
Ver la programación
“the most “complete” of the six finalists, which won her the recognition of the jury”
Crítica hecha desde Oslo Opera House, Main Stage, Oslo el 26 agosto 2023
Donizetti, Lucia di Lammermoor: Cruda, funesta smania
Benjamin, Written on Skin: This Says the Boy
Handel, Semele, HWV 58: Iris, Hence Away
Bellini, I puritani: Ah! Per sempre io ti perdei
Mozart, La clemenza di Tito, K621: Parto, parto, ma tu, ben mio
Chaikovskiï, Iolanta: Robert's aria
Wagner, Das Rheingold: Weiche Wotan, Weiche
Gounod, Faust: Avant de quitter ces lieux
Sibelius, Flickan kom ifrån sin älsklings möte (The girl comes from meeting her lover), Op.37 no.5
Chaikovskiï, The Queen of Spades (Pique Dame): Ya vas lyublyu (Yeletsky's aria)
Handel, Tolomeo, Re d'Egitto, HWV 25: Stille amare
Thomas, Hamlet: Ô vin, dissipe la tristesse
Aksel Daveyan, Barítono
Navasard Hakobyan, Barítono
Vladyslav Tlushch, Barítono
Rebecka Wallroth, Mezzosoprano
Nils Wanderer, Contratenor
Jasmin White, Contralto
Norwegian National Opera Orchestra
James Gaffigan, Dirección
Lise Davidsen, Presentador
Wayne McGregor’s Jocasta’s Line offers powerful performances
****1
Petite Mort is a cut above in second Kylián celebration
***11
NNB rises to the challenges of Nureyev’s Don Quixote
****1
Norwegian National Ballet dazzles in Balanchine's Jewels
*****
Ben Stevenson's Cinderella is still delightful after nearly 55 years
****1
Mats Ek's She was black + A Sort Of ...: thrillingly captivating
*****
Más críticas...
Artículos relacionados
Loading image...
Celebramos 25.000 críticas en Bachtrack
Loading image...
Anarquía y utopía: Calixto Bieito habla sobre Khovanshchina de Mussorgsky
Loading image...
La comedia muy en serio, obsesión por la música y siempre al servicio del trabajo: Laurent Pelly
Loading image...
Cómo dirigir el teatro de ópera digital más grande de Europa
Laura Servidei