A strong close to the SF Ballet season

Por Terez Rose, 09 mayo 2019

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“an abstract yet gripping evocation of life in Stalinist Russia”

Crítica hecha desde War Memorial Opera House, San Francisco el 7 mayo 2019

Symphony no. 9 (Alexei Ratmansky)

Chamber Symphony (Alexei Ratmansky)

Concierto para piano núm. 1 (Alexei Ratmansky)

San Francisco Ballet

Martin West, Dirección

George Tsypin, Diseño de escena

Keso Dekker, Diseño de vestuario

Joseph Walsh, Bailarín

Dores André, Bailarín

Aaron Robison, Bailarín

Jennifer Stahl, Bailarín

Sasha De Sola, Bailarín

Mathilde Froustey, Bailarín

Yuan Yuan Tan, Bailarín

Wona Park, Bailarín

Angelo Greco, Bailarín

Sofiane Sylve, Bailarín

Carlo Di Lanno, Bailarín

Jennifer Tipton, Diseño de iluminación

Mungunchimeg Buriad, Piano

Adam Luftman, Trompeta

San Francisco Ballet Orchestra

La CND despliega un logrado tríptico neoclásico

Leonardo Mattana Ereño, 10th July

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

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Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.

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