A strong close to the SF Ballet season

Von Terez Rose, 09 Mai 2019

Laden, bitte warten...

Veranstaltung anzeigen

“an abstract yet gripping evocation of life in Stalinist Russia”

Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 7 Mai 2019

Symphonie Nr. 9 in Es-Dur (Alexei Ratmansky)

Kammersymphonie (Alexei Ratmansky)

Piano Concerto no. 1 (Alexei Ratmansky)

San Francisco Ballet

Martin West, Musikalische Leitung

George Tsypin, Bühnenbild

Keso Dekker, Kostüme

Joseph Walsh, Tanz

Dores André, Tanz

Aaron Robison, Tanz

Jennifer Stahl, Tanz

Sasha De Sola, Tanz

Mathilde Froustey, Tanz

Yuan Yuan Tan, Tanz

Wona Park, Tanz

Angelo Greco, Tanz

Sofiane Sylve, Tanz

Carlo Di Lanno, Tanz

Jennifer Tipton, Licht

Mungunchimeg Buriad, Klavier

Adam Luftman, Trompete

San Francisco Ballet Orchestra

Das Bayerische Staatsballett in Ratmanskys Paquita

Joy Wang Xin Yuan, 4th July

Mit Alexei Ratmanskys Wiederaufnahme von Petipas Paquita bietet das Bayerische Staatsballett eine faszinierende Zeitreise.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

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Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.

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