Ratmansky world premiere engages with the Voices

Por Carla Escoda, 02 febrero 2020

Descargando, espere, por favor...

Ver la programación

“as absorbing a tribute to the female spirit as the fearsome Wilis in Giselle”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 30 enero 2020

Bright (Justin Peck)

Polyphonia (Christopher Wheeldon)

Voices (Alexei Ratmansky)

Opus 19 / The Dreamer (Jerome Robbins)

New York City Ballet

New York City Ballet Orchestra

Stephen Gosling, Piano

Sara Mearns, Bailarín

Megan Fairchild, Bailarín

Unity Phelan, Bailarín

Georgina Pazcoguin, Bailarín

Lauren Lovette, Bailarín

Mira Nadon, Bailarín

Gonzalo Garcia, Bailarín

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

The Royal Ballet in Perspectives: a diverse and challenging triple

Amanda Jennings, 14th November

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

****1

Few signs of heat in a mixed bill at New York City Ballet

Carla Escoda, 25th September

New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

***11

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Rebecca Ehrhardt, 13th September

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

****1

NYCB: Justin Peck revisits the familiar in Mystic Familiar

Ivy Lin, 10th May

New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.

****1

Más críticas...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.

Ratmansky world premiere engages with the Voices of six iconoclastic women