Rigoletto is mad but the singing is fine

Por Jenny Camilleri, 11 mayo 2017

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“the production is overanalytical and is ultimately sabotaged by its own cleverness”

Crítica hecha desde Dutch National Opera and Ballet, Ámsterdam el 9 mayo 2017

Verdi, Rigoletto

Dutch National Opera

Carlo Rizzi, Dirección

Damiano Michieletto, Dirección de escena

Paolo Fantin, Diseño de escena

Agostino Cavalca, Diseño de vestuario

Saimir Pirgu, The Duke of Mantua

Luca Salsi, Rigoletto

Lisette Oropesa, Gilda

Rafał Siwek, Sparafucile

Annalisa Stroppa, Maddalena

Cornelia Oncioiu, Giovanna

Carlo Cigni, Monterone

Roberto Accurso, Marullo

Airam Hernández, Borsa

Tomeu Bibiloni, Count Ceprano

Esther Kuiper, Countess Ceprano

Deborah Saffery, Page

Peter Arink, Court Usher

Chorus of Dutch National Opera

Netherlands Philharmonic Orchestra

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.

Rigoletto is mad but the singing is fine at Dutch National Opera