An enchanting wonderland: Panorama by Philippe Decouflé

Por Cristina de Lucas, 05 noviembre 2012

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Crítica hecha desde Sadler's Wells Theatre, Londres el 2 noviembre 2012

Panorama (Philippe Decouflé)

Compagnie DCA - Philippe Decouflé

Julien Ferranti, Bailarín

Rémy-Charles Marchant, Bailarín

Ioannis Michos, Bailarín

Marie Rual, Bailarín

Lisa Robert, Bailarín

Violette Wanty, Bailarín

Decouflé's Dazzling Panorama

Naomi Mori, 13th June

Philippe Decouflé and his Company DCA brought Panorama to Japan’s Saitama Arts Theatre. Panorama is a colorful collage of his previous works, from his early masterpiece Codex to later ones such as Shazam! and Iris.

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Decouflé's Dazzling Panorama

Naomi Mori, 13th June

****1

Persistente: la triple función del ENB celebra las coreógrafas

Mark Pullinger, 4th April

She Persisted es la continuación de la propuesta del ENB She Said, una función triple con las creaciones de Annabelle López Ochoa, Stina Quagebeur y Pina Bausch.

*****

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

The Center Will Not Hold: Dorrance Dance thrills at Sadler’s Wells

Daniel Pratt, 17th April

Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.

****1

Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality

Graham Watts, 7th April

A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.

*****

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.