Salonen brings Bryce Dessner's Violin Concerto to the LA Philharmonic

Pekka Kuusisto

Esa-Pekka Salonen conducts the Los Angeles Philharmonic

Por Cameron Kelsall, 05 mayo 2025

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“this stirring piece of new music made for a welcome contemporary centerpiece”

Crítica hecha desde Walt Disney Concert Hall, Los Angeles el 4 mayo 2025

Debussy, Prélude à l'après-midi d'un faune

Dessner, Violin Concerto

Beethoven, Sinfonía núm. 3 en mi bemol mayor "Heroica", Op.55

Los Angeles Philharmonic

Esa-Pekka Salonen, Dirección

Pekka Kuusisto, Violín

Las manos y los oídos de Beethoven: Dudamel dirige Fidelio en el Liceu

Maria Sánchez, 26th May

Conocimiento y sensibilidad en la propuesta liderada por Dudamel, posibilitando una interpretación para oyentes y sordos con la participación del Coro de Manos Blancas y la Deaf West Theatre.

****1

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Dudamel and Catalan choirs dazzle in Beethoven’s Missa solemnis

Néstor Castiglione, 20th February

In Los Angeles, Gustavo Dudamel conducts Beethoven's Missa solemnis for the first time... and it proves worth the wait.

*****

Shock, spectacle and endurance: Yuja Wang and Thomas Adès at full tilt

Laurence Vittes, 8th February

If Prokofiev’s original intention in his Second Piano Concerto was shock and awe, Yuja Wang gives exactly the right performance with the Los Angeles Philharmonic.

***11

John Adams leads Americana, past and present, with LA Phil

Néstor Castiglione, 23rd January

Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside one of his most recent works.

*****

Salonen and the LA Philharmonic take on the forces of nature

Néstor Castiglione, 9th January

Reflections of nature and humanity's place within it in Salonen's 2026 return

****1

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.