En vivo, A la carta, Evento en directo: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sinfonía núm. 3 en mi bemol mayor "Heroica", Op.55

El Ciclo de Grandes Autores e Intérpretes de la Universidad Autónoma de Madrid arranca con un plato fuerte, a saber, las Sinfonías tercera y quinta de Beethoven dirigidas por el maestro Jordi Savall.

Sobre el escenario del Auditorio se presentaron la muy fiable Philharmonia Orchestra con el talento musical Karl-Heinz Steffens, que ha pasado de los atriles al podio de los más prestigiosos conjuntos. El joven pianista Sergei Redkin completaba el alineamiento para una velada excelsa.

Los arreglos funcionan; el resultado, encandila. Nada se echó de menos en el ejercicio: desde el empaste y la exactitud rítmica (con la dificultad añadida de prescindir de conductor) hasta la energía vibrante, pasando por la fidelidad de la exégesis como principio rector e inexcusable. 

Buen concierto de Afkham al frente de la OCNE ante un público seducido desde un principio

Tras un tempestuoso preludio se desarrolló un concierto dedicado a Beethoven en el que el violinista Klaidi Sahatci desplegó su virtuosismo y el director Günter Herbig dirigió con acierto la OFGC en la Sinfonía 'Heroica'

At Hamburg's Elbphilharmonie, the Wiener Philharmoniker and Andris Nelsons launch a chronological cycle of Beethoven's nine symphonies with the first three sticks of dynamite.

New chief conductor Jaime Martín proved to be on fire getting the best from the RTÉ NSO in tonight's works by Mendelssohn, Mozart and Beethoven, while Venezuelan pianist Gabriela Montero delights with her musicianship and improvisation.

To mark #Beethoven250, the Australian Chamber Orchestra plays his first three symphonies in concert. But can one eat three delicious desserts in one sitting? 

Ben Gernon conducts the BBC Philharmonic in an all Beethoven programme centered around the monumental Third Symphony.

Nine symphonies, five orchestras, two days: an immersive weekend as part of the Barbican's Beethoven 250 coverage featuring some of the UK's finest orchestras. 

Norrington was at the forefront of the period instrument revolution in Beethoven performance practice. Here, he returned to the Queen Elizabeth Hall with two major key symphonies. 

Altogether it was the sort of music Gerard Hoffnung might have composed if he had ever held a serious music festival.

Kevin John Edusei steps in to conduct the first concert in the series, and does a great job.

From the trials in love of a libertine, through the death of an angel, to the rise of an emperor, Rustioni takes charge of a rollercoaster evening of emotional turbulence.

Jakub Hrůša led The Cleveland Orchestra in the politically-fraught First Violin Concerto of Shostakovich along with a suitably majestic Beethoven Eroica.

This lightweight, combustive account lacked bluster, sourcing tension from its forward momentum.

In Richard Strauss' Don Quixote brillieren die Philharmoniker als Ensemble vieler großartiger Solisten.

An unforgettable concert: the Belgrade Philharmonic and Gabriel Feltz were on top form in Strauss' Metamorphosen and Beethoven's “Eroica” Symphony.

Violist Ruth Killius did double duty as page turner and violist with violinist husband Zehetmair in knockout Britten.

The 31-year-old Assistant Conductor approached a program of Beethoven, Weber and Schumann with confidence and a forceful hand.

As spry as ever at 91, Herbert Blomstedt returns to the Philharmonia for an energetic "Eroica" Symphony with plenty of brio. 

Greek violinist Leonidas Kavakos plays – and conducts – the Chamber Orchestra of Europe in works by Mozart, Schoeck and Beethoven.

Dans le cadre du Festival Arsmondo, l'Orchestre Symphonique de Mulhouse dirigé par Ken-David Masur donnait un programme consacré à Golijov, Ginastera et Beethoven, avec le pianiste Gabriel Urgell Reyes.

Ein Dirigentinnen-Comeback wirklich hart an der Obergrenze des heldenhaften Triumphs.

Programming his countryman Bartók between two Beethoven works, Ádám Fischer returned to Carnegie Hall with the Vienna Philharmonic. 

When did three such luminaries last grace the same concert, let alone the same first half?

À Lyon, le violoniste Renaud Capuçon offre une interprétation impressionnante du Concerto pour violon n° 2 de Bartók avant une savoureuse Symphonie n° 3 de Beethoven sous la direction de Krzysztof Urbański.

Dirigé par Fayçal Karoui, l’Orchestre de Pau Pays Béarn recevait Raphaëlle et Edgar Moreau. Le programme s’articulait autour de la nouvelle œuvre de Philippe Hersant, Sous la pluie de feu.

Setting aside a disappointing first movement of the Eroica, the Berlin Staatskapelle under Barenboim deliver another polished and persuasive performance in their third Sydney concert.

Some 15 minutes long, in a slow-fast-slow form, Le Tombeau de Napoléon wraps a taxing solo part for tenor trombone in a dramatically compelling and sonically thrilling orchestral canvas.

Das Swedish Radio Symphony Orchestra beleuchtet in der Münchner Philharmonie zwei Klassiker aus einer frischen Perspektive

Manchester's highly polished Northern Chamber Orchestra is joined by Freddy Kempf to deliver a highly enjoyable performance, full of vim and vigour.

Students from the Royal Academy of Music and Tokyo Geidai join forces for an expedition through Beethoven's Eroica Symphony.

Franz Welser-Möst and The Cleveland Orchestra’s Beethoven symphony cycle saw an auspicious start with an especially memorable Eroica.

Ater seven years at the helm and a controversial early departure, Thomas Hengelbrock gives his final concerts as principal conductor of the oldest German radio orchestra.

Das BRSO beschert den Zuhörern im Herkulessaal ein spektakuläres Programm aus Werken von Rossini, Prokofiev und Beethoven.

Violinist Robert McDuffie performs a polished Bernstein Serenade (after Plato's "Symposium") in Atlanta

In her newest work, Metacosmos, Anna Thorvaldsdóttir proves again to be an artist of deep originality.

An overture, a concerto and a symphony by the incomparable Beethoven delivered with heroic commitment by the SWR Symphony Orchestra, Sir Roger Norrington and Francesco Piemontesi.

Brett Dean dirigierte nicht nur zwei Eigenkompositionen, sondern schloss das Konzert mit einer hinreißenden Interpretation von Beethovens „Eroica“.

Nach acht Sätzen und drei Märschen blieb eine Empfindung: packend!

Hallé guest conductor Cristian Măcelaru provided excellent direction in a selection of classic repertoire.

A questionable performance of Schumann's Violin Concerto was redeemed by lively interpretations of Beethoven's Third Symphony and Tchaikovsky's 1812 Overture.

Norwegian violinist Eldbjørg Hemsing unearths the subtleties and plaintive lyricism of Dvorak's violin concerto while Miguel Harth-Bedoya and the NSO deliver an exhilarating Eroica.

L'ONL est un orchestre au son typé, et quand les chefs invités ne parviennent pas à inscrire leur pensée musicale dans sa tradition, ça ne passe pas. 

The bonds between Kazushi Ono and the OBC musicians are slowly improving.

Die Rotterdamer Philharmoniker unter Yannick Nézet-Séguin eröffneten ihre Konzertsaison mit Janine Jansen und einem beeindruckenden Abend mit Britten und Beethoven.

High wire Beethoven from Nicolas Collon and the Aurora Orchestra, truly live in every sense, with an entertaining deconstructed introduction from Collon with Tom Service.

Thomas Adès conducts the Britten Sinfonia in Beethoven and Gerald Barry.

Although Beethoven was none too fond of despots, self-proclaimed emperors, or religious intuitions, one can image his approbation for Justinian’s stupendous Hagia Eirene basilica as a perfect venue for his music.