Ivars Taurins leads the Seattle Symphony in Baroque feast

Ivars Taurins conducts the Seattle Symphony

Por Thomas May, 18 octubre 2025

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“like strolling through the labyrinths of a musical garden”

Crítica hecha desde Benaroya Hall, S Mark Taper Auditorium, Seattle el 16 octubre 2025

Handel, Organ Concerto in D minor, Op.7 no.4, HWV 309

Telemann, Water Music in C major, "Hamburger Ebb and Fluth", TWV 55:C3

Hasse, Sinfonia a quattro in G minor Op.5 no. 6

Handel, Reales fuegos artificiales, HWV 351

Joseph Adam, Órgano

Seattle Symphony

Ivars Taurins, Dirección

Nicholas McGegan brings delicacy and elegance to Mendelssohn

Erica Miner, 18th April

The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.

****1

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

Ioffe conducts the Seattle Symphony in varied faces of Romanticism

Thomas May, 8th January

Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.

****1

Morlot returns to lead Seattle Symphony’s season-closing showcase

Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot.

****1

Peter Oundjian bridges the centuries in Seattle

Erica Miner, 15th March

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Erica Miner, 22nd February

Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.

***11

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Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

Baroque vitality in motion: Ivars Taurins leads the Seattle Symphony