Olivier Py's Thaïs doesn't set pulses racing in Milan

Por Mark Pullinger, 23 febrero 2022

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“where Py does let rip... it’s an indication of what might have been”

Crítica hecha desde Teatro alla Scala, Milán el 22 febrero 2022

Massenet, Thaïs

Teatro alla Scala

Lorenzo Viotti, Dirección

Olivier Py, Dirección de escena

Pierre-André Weitz, Diseño de escena, Diseño de vestuario

Bertrand Killy, Diseño de iluminación

Orchestra del Teatro alla Scala

Coro del Teatro alla Scala

Marina Rebeka, Thaïs

Lucas Meachem, Athanaël

Giovanni Sala, Nicias

Caterina Sala, Crobyle

Federica Guida, La Charmeuse

Insung Sim, Palémon

Valentina Pluzhnikova, Albine

Anna-Doris Capitelli, Myrtale

Ivo Bauchiero, Coreografía

Beatrice Carbone, Bailarín

Gioacchino Starace, Bailarín

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

House of Sin: Olivier Py's Thaïs not a production to set pulses racing in Milan