Olivier Py's Thaïs doesn't set pulses racing in Milan

Par Mark Pullinger, 23 février 2022

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“where Py does let rip... it’s an indication of what might have been”

Critique faite à Teatro alla Scala, Milan, le 22 février 2022

Massenet, Thaïs

Teatro alla Scala

Lorenzo Viotti, Direction

Olivier Py, Mise en scène

Pierre-André Weitz, Décors, Costumes

Bertrand Killy, Lumières

Orchestra del Teatro alla Scala

Coro del Teatro alla Scala

Marina Rebeka, Thaïs

Lucas Meachem, Athanaël

Giovanni Sala, Nicias

Caterina Sala, Crobyle

Federica Guida, La Charmeuse

Insung Sim, Palémon

Valentina Pluzhnikova, Albine

Anna-Doris Capitelli, Myrtale

Ivo Bauchiero, Chorégraphie

Beatrice Carbone, Danse

Gioacchino Starace, Danse

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Arnaud Saura-Ziegelmeyer, 9th April

Trente ans après son dernier passage sur les planches milanaises et cent ans après la disparition de son auteur, l'opéra méconnu de Puccini bénéficie d'une mise en scène efficace et d'une belle distribution.

****1

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

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Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

****1

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

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Laura Servidei, 7th December

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director.

****1

The game of love: Robert Carsen’s new Così fan tutte at La Scala

Laura Servidei, 8th November

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

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