The Opera Group: Babur in London at Sadler's Wells

This week the Linbury Studio Theatre attracted an audience of the more minute variety with its dazzling production of The Firework-Maker’s Daughter. Based on Philip Pullman’s novel, the two-act opera transported its listeners into the realms of the Far East with papery costumes, Indonesian shadow puppetry and hand-crafted pyrotechnics.

Two sisters, a knight, a miller, and a blind harpist. Such is the cast of Tony Harrison and Harrison Birtwistle's Bow Down, their 1977 music-theatre piece currently being toured around the UK by The Opera Group. It's an elemental, mythic piece, but also a testament to the endless capacity for novelty that old, grim folk tales like this have.

The Lion's Face: The name comes from the clinicial description of the Alzheimer face with features settling into “leonine impassivity.” Librettist Glyn Maxwell spent five years researching this opera about dementia and this shines through in his portrayal of the life of an Alzheimer's patient in a nursing home.

La ópera de John Adams sobre el histórico encuentro entre Richard Nixon y Mao Tse-Tung está interpretada de manera excelente en todos los aspectos y con un auténtico hallazgo en el podium bajo el nombre de Olivia Lee-Gunderman.

La olvidada "Ópera americana" de Weill se estrena en Madrid con una renovada producción de John Fulljames y un reparto sólido encabezado por Patricia Racette.

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.