Click bait: an effective new Traviata at the Komische Oper

Por Hugo Shirley, 03 diciembre 2019

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“there’s an undeniable power in the final scene as Violetta... is gradually abandoned”

Crítica hecha desde Komische Oper Berlin, Berlín el 1 diciembre 2019

Verdi, La traviata

Komische Oper Berlin

Ainārs Rubiķis, Dirección

Jordan de Souza, Dirección

Nicola Raab, Dirección de escena

Madeleine Boyd, Diseño de escena

Annemarie Woods, Diseño de vestuario

Natalya Pavlova, Violetta Valéry

Vera-Lotte Boecker, Violetta Valéry

Ivan Magrì, Alfredo Germont

Günter Papendell, Giorgio Germont

Caren van Oijen, Annina

Maria Fiselier, Flora Bervoix

Ivan Turšić, Gastone de Letorières

Dániel Foki, Baron Douphol

Changdai Park, Commissioner

Philipp Meierhöfer, Dr Grenvil

Carsten Sabrowski, Marquis d'Obigny

Simon Berger, Dramaturgia

David Cavelius, Dirección de coro

Linus Fellbom, Diseño de iluminación

Chor der Komischen Oper Berlin

Orchester der Komischen Oper Berlin

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.