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The original two-soprano version of Norma in Martina Franca

Norma is presented in its original two-soprano version, in the new critical edition by musicologist Roger Parker.
Click bait: an effective new Traviata at the Komische Oper
Nicola Raab's production doesn't quite provide the bold rethinking it promises, but stylish execution and a fine cast make for an effective modern Traviata.
Handel’s Ariodante in Drottningholm's magical setting
A splendid cast led by Ann Hallenberg does justice to an integral version of Handel’s masterpiece under the baton of Ian Page.
Il corsaro as The life of Byron
Nicola Raab puts Byron at the heart of Il corsaro in her new production for the Palau de les Arts, but doesn’t always know what to do with him.
A Finnish swan song at Savonlinna
Matti Salminen and conductor Leif Segerstam come together, probably for the last time, to give us an excellent evening's opera which touched the heart of Boris Godunov – a Finnish swan song as potent as anything penned by Sibelius.
The Pallor of Dorian Gray
A Slovak opera import brings brilliant music weighed down by dreary staging to the Prague Spring Festival.
