Romps, romance and risk at the Berwaldhallen

Por Simon Cummings, 31 agosto 2016

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“for once, the birds in Messiaen’s garden could properly be heard to sing”

Crítica hecha desde Berwaldhallen, Estocolmo el 28 agosto 2016

Bartók, Concierto para piano núm. 1, Sz 83

Messiaen, Sinfonía Turangalila

Swedish Radio Symphony Orchestra

Esa-Pekka Salonen, Dirección

Yuja Wang, Piano

Valérie Hartmann-Claverie, Ondas Martenot

Daniel Harding deja su huella en La Filarmónica

Leonardo Mattana Ereño, 28th May

La Orquesta Sinfónica de la Radio Sueca ofreció un excelente concierto bajo la dirección de Daniel Harding.

****1

Yuja Wang dompte Rautavaara et Ravel à Bozar

Patrice Lieberman, 20th March

Au concert inaugural du Klarafestival 2026, la pianiste chinoise a alterné avec justesse pianisme athlétique et jeu mystérieux, volant la vedette à un Esa-Pekka Salonen en retrait.

***11

Ainsi braillait Zarathoustra, selon Harding et la Radio suédoise

Erwan Gentric, 11th March

Déception à la Philharmonie où la phalange suédoise et son chef principal n'ont pas réussi à rendre toute l'expressivité ni tous les mystères de l'œuvre de Richard Strauss.

**111

The Swedish RSO provides a flashy finish for Dvořák’s Prague

Frank Kuznik, 25th September

Daniel Harding and the Swedish Radio Symphony Orchestra bring their own fireworks to the festival finale.

****1

Le monde d'hier selon l’Orchestre de la Radio suédoise et Harding

Augustin Javel, 1st December

L'excellent Orchestre symphonique de la Radio suédoise livre avec Daniel Harding un programme Mahler très bien mené, aux côtés de Christian Gerhaher et Johanna Wallroth.

****1

Handel's Messiah streamed from the Baltic Sea Festival

Sandra Bowdler, 18th September

Reinhard Goebel conducts a perfectly fine, straight-down-the-line Messiah as Sweden re-engages with live audiences.

***11

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.

Romps, romance and risk at the Berwaldhallen from the Swedish Radio Symphony Orchestra