Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Messiaen

La Orquesta Simón Bolívar con Dudamel en la dirección ofrecieron una enérgica y brillante Turangalila que enganchó al público del Palau desde el primer momento.

Jurowski treibt in der Rolle des Hoffmann’schen Kapellmeistersdie Musiker des RCO mit teuflischem Spaß zu immer mehr virtuosem Schabernack an.

À la tête de l'Orchestre National du Capitole de Toulouse, le jeune chef scandinave a livré une interprétation personnelle et intense d’œuvres phares du répertoire français, aidé par le violoncelliste István Várdai.

Jean-Paul Gasparian livre un récital qui montre une approche pianistique des plus fines. Excellent dans une première partie Debussy-Murail-Messiaen, le musicien montre quelques difficultés dans Chopin ensuite.

A night to remember in Sheffield as Ensemble 360 play Mozart and Brahms. 

Three contrasting 20th-century masterworks were judiciously crafted and insightfully honed by the Orchestre Symphonique of Montreal and their music director Kent Nagano.

A fond farewell to the Yomiuri Nippon Symphony Orchestra from its Principal Conductor for the past nine seasons.

Bold and colourful invocations of twentieth-century classics from Ensemble Modern and composer George Benjamin.

Depuis plusieurs années, l’Opéra de Nice propose chaque lundi midi un concert inédit, donné aux quatre coins de la ville. Aujourd’hui, rendez-vous est pris avec Vera Novakova (violon), Bruno Caulier (cor) et Roberto Galfione (piano).

Raphaëlle Moreau. Yan Levionnois. Paul Meyer. Adam Laloum. Quatre noms et un Quatuor pour la fin du Temps surnaturel, qui a emporté les Sommets musicaux de Gstaad vers des hauteurs inattendues.

Mälkki triumphs in the subtleties of Saariaho, stumbles in the ecstasies of Messiaen. 

Alasdair Beatson presented a dazzling programme of 20th-century piano music, with Harrison Birtwistle at its centre. 

By using Schumann’s Novelletten to draw a broad dramaturgical bow over the whole evening, Martin Helmchen stands on his own as a bold and highly creative pianist.

The “Festival Tour” and its three-venue concerts of the Davos Festival programme included almost as many visual and outdoor delights as it did musical treats. 

Since its inception in 1986, the Davos Festival has given a platform to more than 2,080 young artists of promise. This 33rd festival year is no exception. 

A programme of new music and 20th-century classics reflects on loss, war, inhumanity and redemption. 

Revelling in the luscious orchestrations and sumptuous melodies, it was a rare treat to bask in such obvious delight from both conductor and orchestra.

Lars Vogt and Royal Northern Sinfonia deliver Beethoven's Symphony no. 9 with swaggering self-confidence, and heroic chorus singing.

Jean-Yves Thibaudet and Cynthia Millar joined Franz Welser-Möst for a jaw-dropping performance of Messiaen’s Turangalîla-Symphonie.

Karina Canellakis schafft mit den Bamberger Symphonikern ein extensives Klangfarben-Spektrum und Leidenschaft pur.

Deborah Nemtanu, Livia Stanese, Florent Pujuila et François-Frédéric Guy se sont réunis salle Cortot autour de l'œuvre de Haydn et de Messiaen. Quatre belles personnalités musicales pour un programme très inspiré.

A highlight of Royal Liverpool Philharmonic's season, tackling a piece not attempted by the orchestra for almost 50 years.

Starting her Perspectives series, Janine Jansen invited three outstanding musicians to join her in 20th century repertoire.

The Lithuanian conductor made Beethoven really sing while violinist, Vilde Frang's spirited interpretation of Elgar's Violin Concerto did not seem quite the finished article.

James Ehnes, Steven Osborne and Alban Gerhardt captured the lamentations of Shostakovich's Second Piano Trio before they were joined by clarinettist Jean Johnson for Messiaen's quartet at St John’s Smith Square.

Aufgrund einer Handgelenksverletzung übernahm Olari Elts kurzfristig das Dirigat von Yannick Nézet-Séguin – Messiaens Musik tat dies aber keinen Abbruch.

Auf den Spuren unerwarteter Verwandtschaft von Bruckner und Messiaen: Thomas Dausgaard und Christian Schmitt musizierten mit den Bamberger Symphonikern im Keilberth-Saal der Konzerthalle.

Chances to hear Messiaen's epic Turangalîla-Symphonie are few and far between and should be grasped accordingly.

Marquée à la fois d’un désir de lignagevet d’un profond souhait de modernité, la musique d’un Messiaen, d’un Stravinsky ou d’un Fauré posent inévitablement problème à tout interprète voulant rendre compte de la part éthique d’une esthétique.

The Birmingham Contemporary Music Group present an ambitious mixture of experimental chamber music and disquieting monodrama. 

If not the ideal first half to precede the Quartet for the End of Time, there could be no quarrel with the execution thoroughout.

Sakari Oramo pushes the BBC Symphony Orchestra to breaking point at Symphony Hall

John Malkovich’s provocative new music-theatre work reminds us all of the power of music – in the wrong hands.

Belle idée que de faire coïncider les ateliers dédiés à l’orgue de l’Auditorium et la programmation du festival Présences : l’orgue se prête mieux que n’importe quel instrument au désir de monographies de cette édition, mettant à l’honneur une compositrice à la croisée d’influences et de domaines d’expression.

Das Orchester meisterte seine Aufgabe nicht nur mit bewundernswerter Disziplin, sondern war auch sichtlich mit Freude und Engagement bei der Sache.

An unusual pairing of works for two pianos by Brahms and Messiaen created a concert of unexpected contrasts, rich textures and exceptionally virtuosity.

NDR Elbphilharmonie Orchester, NDR Chor und der Chor des Bayerischen Rundfunks brillieren unter Hengelbrock mit Mendelssohns Lobgesang in der frisch eröffneten Hamburger Elbphilharmonie.

Thomas Hengelbrock and the NDR Elbphilharmonie Orchestra open Hamburg's Elbphilharmonie concert-hall with a traversal of music through the ages, from a Renaissance motet to Wolfgang Rihm's latest work.

2017 began with a bang in Zurich, thanks to a stellar pianist, Daniil Trifonov, and a peak performance by the Tonhalle Orchestra under Kent Nagano’s seasoned baton.

To open the new year, Seattle Symphony music director Ludovic Morlot chose a standard work, Beethoven’s Ninth, prefaced with an unusual one by French composer Olivier Messaien. 

Characteristic attention made high-precision textures glisten even in this difficult acoustic. No tears required. On the basis of this performance, Mexican youth music is in fine shape.

Dudamel erreichte in seiner Interpretation ein rundes, harmonisches, "natürliches" Klangbild: er achtete auf musikalischen Fluss, nahm das Publikum mit dieser Musik gefangen. Der Schluss geriet zu einer hinreißenden, ergreifenden Apotheose der Liebe.

Esa-Pekka Salonen and Yuja Wang at the Baltic Sea Festival.

Hong Kong Sinfonietta in a mixed bag of Messiaen, Mozart and Beethoven. 

The interpretation was crowned by the most rapt rendition of the last movement imaginable, all yearningly luminescent and full of spellbinding nobility of tone from the orchestra.

Fazil Say « par l’auteur », (K)ein Sommernachtstraum d’Alfred Schnittke, Messiaen et Chostakovitch. Un programme exemplaire, et une salle qui aurait mérité d’être pleine !

Here's a winning formula to pack a concert hall for a Saturday night organ recital: book one of the country's best-known actor-managers to front the evening, invest in televisual effects, and write a good script. 

Pierre-Laurent Aimard bought Messiaen's monumental Vingt Regards to life with vivid layers of sound and muscular energy.

Rattle and the LSO give a superb account of the extreme moments in Bruckner's eighth, without convincing over the whole work.