Beyond pyrotechnics: Maxim Vengerov in Bucharest

Por Edward Sava-Segal, 26 septiembre 2017

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“Vengerov is, more than ever, one of the few truly great violinists gracing our time”

Crítica hecha desde Romanian Atheneum (Ateneul Român), Bucarest el 24 septiembre 2017

Brahms, Sonata F-A-E: Scherzo en do menor

Brahms, Sonata para violín núm. 3 en re menor, op. 108

Enescu, Violin Sonata no. 3 in A minor "dans le caractère populaire roumain", Op.25

Franck, Violin Sonata in A major

Maxim Vengerov, Violín

Vag Papian, Piano

Maxim Vengerov con la Franz Schubert Filharmonia

Albert Ferrer Flamarich, 20th October

La excelente Franz Schubert Filharmonia dio buena cuenta una vez más de lo especial en su sonoridad y en sus interpretaciones bajo la esmerada dirección de Tomàs Grau.

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Budapest Festival Orchestra plays – and sings – at Carnegie Hall

Susan Stempleski, 6th February

Joined by violinist Maxim Vengerov, the Hungarian orchestra, under Music Director Iván Fischer, is in top form in a program of three highly contrasting pieces.

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Brilliant Brahms from Vengerov and friends at Carnegie Hall

Susan Stempleski, 16th December

An extraordinary group of musicians join violinist Maxim Vengerov in performing two chamber music jewels by Johannes Brahms.

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Soirée hors normes à Toulouse avec Vengerov, Chung et le Tokyo Phil

Thibault d'Hauthuille, 3rd November

Dans des tubes de Tchaïkovski et Prokofiev, l'orchestre, son directeur musical honoraire et son soliste invité ont été éblouissants.

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Vengerov, Chung and the Met Orchestra at Carnegie Hall

Susan Stempleski, 30th January

The virtuoso violinist glows in Brahms’ Violin Concerto and the Met musicians display their virtuosity and versatility in the composer’s complex final symphony.

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Orpheus CO and Vengerov deliver superb Mozart at Carnegie Hall

Susan Stempleski, 7th November

The star violinist and the Orpheus Chamber Orchestra bring their two-night traversal of Mozart’s complete works for violin and orchestra to a stunning conclusion.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Beyond pyrotechnics: Maxim Vengerov and Vag Papian at the Enescu Festival