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Arresting choreography: Aszure Barton restages Come In for Ballett am Rhein

Por Graham Watts, 23 junio 2021
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“the dual impact of choreography and music created momentary illusions of timelessness”
Crítica hecha desde Opernhaus, Düsseldorf el 18 junio 2021
Programa
Come In (Aszure Barton)
Inquieto (Henrique Rodovalho)
Intérpretes
Ballett am Rhein
São Paulo Companhia de Dança
Más críticas de Danza
Exhibitions of style: Hubbard Street Dance returns to New York
Carla Escoda, 31st March

Aszure Barton, Matthew Rushing, Bob Fosse and James Gregg make for an eclectic and mostly intriguing night with Chicago's Hubbard Street Dance at New York's Joyce Theatre.

****1
The timeless and the new at Limón Dance
Carla Escoda, 21st May
Doris Humphrey and José Limón inspired a world premiere from Aszure Barton for the Limón Dance Company at New York City's storied 92nd Street Y.
****1
Hubbard Street Dance Chicago on the road, dancing impeccably
Carla Escoda, 25th March
A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.
***11
Slow Burn marks a new era for Hamburg Ballet
Vikki Jane Vile, 10th January
The rather imposing proposition of taking over the reigns from John Neumeier has fallen to Demis Volpi, who has brought fresh and explosive pieces into the repertoire at Hamburg.
***11
Mere Mortals explores the Pandora myth in a sensory extravaganza
Terez Rose, 26th January
Mere Mortals, an immersive sensory-experience ballet that merges dance, lights, visuals and sound, is clever.
****1
Forsythe’s Playlist tops ENB's Voices of America
Erin Whitcroft, 12th April
Forsythe’s choreography allows ENB's male corps to display their virtuoso skill in its mixed programme at Sadler's Wells.
****1
Más críticas...
Leer críticas de
Aszure BartonBallett am RheinSão Paulo Companhia de DançaVladimir Martynov
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Graham Watts
Graham Watts
Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.