Gerhaher's Mahler the standout in Bavarian RSO stream

Por Edward Sava-Segal, 07 febrero 2021

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“Ticciati took great care in shaping the long lines and in balancing the different timbres”

Crítica hecha desde Die Residenz: Herkulessaal, Múnich el 5 febrero 2021

Schubert, A Adrast (Mayrhofer)

Mahler, Kindertotenlieder

Brahms, Serenata núm. 1 en re mayor, Op.11

Christian Gerhaher, Barítono

Symphonieorchester des Bayerischen Rundfunks

Robin Ticciati, Dirección

Simon Rattle y la BRSO ofrecen un dechado sinfónico en Ibermúsica

Leonardo Mattana Ereño, 20th November

La BRSO, una de las mejores formaciones a nivel mundial, ofreció una velada que no será fácil de olvidar.

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Erhebender Tanz der Töne: Bartók mit Vilde Frang und dem BRSO

Benedikt Zacher, 26th February

Die norwegische Ausnahmegeigerin verzaubert mit Bartóks Zweiten Violinkonzert das Münchner Publikum.

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Wohl komponiert: Håkan Hardenberger und Andris Nelsons mit dem BRSO

Benedikt Zacher, 7th December

Unaufgeregt, hochmusikalisch, bescheiden: die Weltklasse-Musiker begeistern in der Isarphilharmonie.

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L'hymne à la vie de Rattle avec l'Orchestre de la radio bavaroise

Emmanuel Gaillard, 14th November

La phalange munichoise et son directeur musical ont proposé une interprétation mémorable de la Symphonie n° 2 de Schumann et de L'Oiseau de feu de Stravinsky au lendemain des commémorations des attentats du 13 novembre 2015.

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Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

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Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.