Barbara Hannigan tackles Mahler’s Fourth in Gothenburg

Por Edward Sava-Segal, 02 octubre 2020

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Crítica hecha desde Gothenburg Concert Hall, Gotenburgo el 1 octubre 2020

Haydn, Sinfonía núm. 44 en mi menor "Fúnebre" (Trauersymphonie)

Mahler, Sinfonía núm. 4 en sol mayor

Gothenburg Symphony Orchestra

Barbara Hannigan, Soprano, Dirección

Rouvali et le Göteborgs Symfoniker à Bozar : le génie des couleurs

Valentin Gautron Lavarone, 14th June

Santtu-Matias Rouvali s'épanouit complètement dans Boulanger, Sibelius ou Strauss aux côtés de l’Orchestre symphonique de Göteborg.

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Memorable Symphone fantastique, austere Sibelius from the GSO

David Karlin, 25th November

The precise control of Santu-Matthias Rouvali yields a reference Symphonie fantastique from the Gothenburg Symphony Orchestra; the Sibelius Violin Concerto is less convincing.

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Hannigan balances light and dark in Gothenburg

Cameron Kelsall, 17th September

The program prominently featured compositions by Canadian composer Claude Vivier alongside works of Haydn and Busoni.

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Pandemic programming: Shostakovich and Sibelius in Gothenburg

Roy Westbrook, 17th September

Saraste’s mastery in Sibelius is hardly a surprise, and neither is the calibre of the orchestra Sibelius himself often visited to conduct.

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Peter Mattei's moving Mahler in Gothenburg season opener

Timothy Robson, 10th September

Baritone Peter Mattei brought both musical sensitivity as well as almost Berg-ian drama to Mahler’s Lieder eines fahrenden Gesellen, ably supported by Manfred Honeck and the Gothenburg Symphony Orchestra, in a successful livestream concert.

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Ravels verspielte Klangwelten mit Alice Sara Ott

David Renke, 20th February

Santtu-Matias Rouvali und die Göteborger Symphoniker erkunden hingegen die dunklen Klänge Sibelius'.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.