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Darkness in heart and spirit: Weber and Dvořák from Daniel Harding in Milan

Por Alexander Hall, 18 mayo 2021
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“these strings are impressive: they produce a warm, rounded and weighty sound”
Crítica hecha desde Teatro alla Scala, Milán el 17 mayo 2021
Programa
Weber, Der Freischütz: Overture
Dvořák, Sinfonía núm. 9 en mi menor, "Del Nuevo Mundo" op. 95
Intérpretes
Orchestra del Teatro alla Scala
Daniel Harding, Dirección
Más críticas de Concierto
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

****1
The Ring returns to the Rhine: Götterdämmerung at La Scala
Laura Servidei, 1st February
Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.
*****
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*****
Shostakovitch’s Lady Macbeth conquers La Scala on opening night
Laura Servidei, 7th December

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director. 

****1
The game of love: Robert Carsen’s new Così fan tutte at La Scala
Laura Servidei, 8th November

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

****1
Pelly’s iconic Fille du régiment retains its charm at La Scala
Laura Servidei, 17th October

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

****1
Más críticas...
Leer críticas de
Antonín DvořákCarl Maria von WeberDaniel HardingDer Freischütz: OvertureOrchestra del Teatro alla ScalaSinfonía núm. 9 en mi menor, "Del Nuevo Mundo" op. 95
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Alexander Hall
Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.