Pandora unveiled: an arresting new creation in Rome

Por Graham Watts, 29 enero 2021

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“Pandora is much like one of those earthenware, funerary jars... only smashed into fragments”

Crítica hecha desde Teatro Costanzi, Teatro dell'Opera, Roma el 29 enero 2021

Pandora (Simone Valastro)

Ballo del Teatro dell'Opera di Roma

Carlo Donadio, Dirección

Andrea Miglio, Diseño de escena

Anna Biagiotti, Diseño de vestuario

Fabrizio Marinelli, Diseño de iluminación

Rebecca Bianchi, Bailarín

Claudio Cocino, Bailarín

Damiano Mongelli, Bailarín

Alessandra Amato, Bailarín

Agnieszka Jadwiga Grochala, Soprano

Marianna Mappa, Soprano

Angela Schisano, Mezzosoprano

Orchestra del Teatro dell'Opera di Roma

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Pandora unveiled: an arresting new creation by Simone Valastro in Rome