Pandora unveiled: an arresting new creation in Rome

Von Graham Watts, 29 Januar 2021

Laden, bitte warten...

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“Pandora is much like one of those earthenware, funerary jars... only smashed into fragments”

Rezensierte Veranstaltung: Teatro Costanzi, Teatro dell'Opera, Rome, am 29 Januar 2021

Pandora (Simone Valastro)

Ballo del Teatro dell'Opera di Roma

Carlo Donadio, Musikalische Leitung

Andrea Miglio, Bühnenbild

Anna Biagiotti, Kostüme

Fabrizio Marinelli, Licht

Rebecca Bianchi, Tanz

Claudio Cocino, Tanz

Damiano Mongelli, Tanz

Alessandra Amato, Tanz

Agnieszka Jadwiga Grochala, Sopran

Marianna Mappa, Sopran

Angela Schisano, Mezzosopran

Orchestra del Teatro dell'Opera di Roma

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***11

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Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Pandora unveiled: an arresting new creation by Simone Valastro in Rome